Rachel Baiman

  • NW Washington, DC
  • 09/10/2017
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About

In many ways, Shame, the new album from 27-year-old Nashville Americana songwriter and multi-instrumentalist Rachel Baiman, is an exploration of growing up female in America. “I wasn't necessarily trying to write songs that would be easy to listen to," Baiman says of the project, “I wanted to write about reality, in all of it's terror and beauty.” From the title track about abortion politics, to love, sex, and abuse in relationships, to classism and inequality in her re-write of Andy Irvine's working class anthem “Never Tire of the Road,” the album is ambitious in its scope, yet remains cohesive through Baiman's personal perspective. Despite the serious subject matter, the overall feeling of the album remains light, with the tongue-in-cheek “Getting Ready to Start (Getting Ready)” and feel-good anthem “Let them Go To Heaven." A departure from her stripped-down work with progressive folk duo 10 String Symphony, Shame is lush and varied in instrumentation and musical texture.

Inspired in equal parts by John Hartford and Courtney Barnett, Baiman's influences span a wide range, but years spent playing traditional music shine through in the album’s firmly rooted sound. For recording and production, Baiman turned to the talents of Mandolin Orange's Andrew Marlin. “At the time that I was writing the music for this record, I was listening to all North Carolina-made albums, including Mandolin Orange and the album Andrew produced for Josh Oliver (Oliver is also featured heavily on Shame)." Shortly after reaching out to Marlin, Baiman traveled to Chapel Hill, NC for three intensive days in the studio. "The energy was amazing," Baiman says. "It became clear that we were making something really special that needed to be finished.”

Added to the musical intensity was the context of the material they were recording—namely, how the songwriting on Shame sits within the current American political climate. "I think what is happening in the country right now has really shifted my career priorities, and brought the folk music community together. We are all suddenly seeing our purpose come into focus, and feeling a renewed responsibility to be a voice of unity and resistance.” In addition to the release of her new solo album, Baiman is the co-founder of a new political group called Folk Fights Back, a musician-led national organization that puts together benefit concerts and awareness events in response to the Trump administration.    

Baiman is no newcomer to activism. Raised in Chicago by a radical economist and a social worker, she was surrounded by social justice issues her entire life. “If I wanted to rebel against my parents I could have become a finance banker or a corporate lawyer” she says of her childhood. While her classmates went to church or temple on Sunday mornings, Baiman attended the Ethical Humanist Society of Greater Chicago, a non-religious community formed around discussions of morality and current events. “That was always a tough one to explain at school” she says with a laugh.   

As a teenager, Baiman found music to be a welcome escape from worrying about global politics.  “I often found the constant discussion of seemingly unsolvable problems to be intense and overwhelming, and when I moved to Nashville to pursue music it felt like something positive, beautiful and productive that I could put into the world. Now that I've had some years to devote to music,”—Baiman has been recording and touring internationally for the past 4 years with 10 String Symphony, and has played fiddle for numerous other artists including Kacey Musgraves and Winnipeg folk band Oh My Darling—“I find it hard to escape from the values that I grew up with, and I feel compelled to write politically, to speak out about things that I've experienced or seen. Songwriting is a unique opportunity to do that, because it avails a more emotional vehicle for discussion. I love the political tradition of folk music, from Woody Guthrie to Tupac, and my hope is that this record adds another voice to it.”

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Americana/Roots

Links

Source

Publicity- Hearth Music
Daniel Cooper
206.557.4447
Radio- Hearth Music
Devon Leger
206.557.4447
Label- Free Dirt Records
John Smith
(301) 919-0004

Rachel Baiman Plays Washington, DC in Support of Stunning New Americana Record "Shame" Sept 10

Americana Songwriter & Multi-Instrumentalist Rachel Baiman Tours Stunning New Record "Shame"

"A rootsy wake-up call" — Folk Alley

Rachel will be making a stop in Washington, DC to share music from her brand new album Shame (Free Dirt Records) at The Kennedy Center for the Performing Arts on Sept. 10.

In many ways for Rachel, Shame, is an exploration of growing up female in America. Despite the serious subject matter, the overall tenor of the album remains light while the arrangements depart from her stripped-down work with progressive folk duo 10 String SymphonyShame is lush and varied aided by the production and recording talents of Mandolin Orange's Andrew Marlin. Musically inspired in equal parts by John Hartford and Courtney Barnett, Baiman's influences are myriad, however years spent playing traditional music shine through in the album’s firmly rooted sound. Over the album's ten tracks, Baiman commands attention with songwriting prowess and a depth of presence well beyond her 27 years.

Shame's musical intensity is rooted within the current American political climate. “I wasn't necessarily trying to write songs that would be easy to listen to," Baiman says of the project. “I wanted to write about reality, in all of it's terror and beauty.” From the title track about abortion politics, to love, sex, and abuse in relationships, to classism and inequality in her re-write of Andy Irvine's working class anthem “Never Tire of the Road," the album is ambitious in its scope, yet remains cohesive through Baiman's personal perspective. In addition to the release of her new solo album, Baiman is the co-founder of a new political group called Folk Fights Back, a musician-led national organization that puts together benefit concerts and awareness events in response to the Trump administration.    

As a teenager, Baiman found music to be a welcome escape from worrying about global politics. “I often found the constant discussion of seemingly unsolvable problems to be intense and overwhelming, and when I moved to Nashville to pursue music it felt like something positive, beautiful and productive that I could put into the world. Now that I've had some years to devote to music,”—Baiman has been recording and touring internationally for the past 4 years with 10 String Symphony, and has played fiddle for numerous other artists including Kacey Musgraves and Winnipeg folk band Oh My Darling—“I find it hard to escape from the values that I grew up with, and I feel compelled to write politically, to speak out about things that I've experienced or seen. Songwriting is a unique opportunity to do that, because it avails a more emotional vehicle for discussion. I love the political tradition of folk music, from Woody Guthrie to Tupac, and my hope is that this record adds another voice to it.”

More dates to be announced soon.

TOUR DATES

Sept 5 - Ithaca, NY @ La Tourelle
Sept 6 - Cambridge, MA @ Club Passim
Sept 7 - Brooklyn, NY @ Union Pool
Sept 8 - Thomas, WV @ Purple Fiddle
Sept 9 - Allison Park, PA @ Music Night on Jupiter
Sept 10 - Washington, DC @ The John F. Kennedy Center 
Sept 16 - Nashville, TN @ AmericanaFest

Dispatch Details

Ticket URL: Click here
Ticket Phone: (202) 467-4600
Venue Link: Click here
Venue Zip: 20566
Venue City, State: NW Washington, DC
Venue St. Address: 2700 F Street
Venue: The John F. Kennedy Center for the Performing Arts
Concert Start Time: 6:00 p.m.
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